September 2, 2015
Materials needed for THIS CLASS (see Supply List for details):
- the 3+ artifacts you found on your walk (or new ones if your prefer)
- used/found book (this can be any book of your choosing!)
- sketch book for COMD1100 only (9″x12″ or similar)
- Pad of Bristol board (9”x12” 2-ply smooth plate finish)
- roll of tracing paper (18″ wide)
- graphite pencils (Venus or similar 6B, 2B, HB, 2H, 4H)
- pencil sharpener (basic metal)
- eraser (magic rub, mars, gum or similar)
- inking pens (.02, .05, and brush – Pigma Micron)
- 18″ ruler/T-square
- triangle
- small box or travel container for your supplies (reuse/find)
- portfolio to transport your work (larger than 14″x17″)
- 1 roll drafting or removable tape
** Note: if you are unable to afford these items due to financial aid delays, please make arrangements with a classmate to borrow or share supplies.
Lecture
The Elements: basic components used as part of any composition, independent of the medium.
- Point: An element that has position (x,y), but no extension or mass. A series of points forms a line, a mass of points becomes a shape.
Malevich Black Dot| Seurat La Parade detail | Seurat La Parade du Cirque - Line: An series of points, which has length and direction. It can be the connection between two points, the space between shapes, or the path of a moving point. A closed line creates a shape.
Mondrian | Klee - Shape: Created by line (contour) or a grouping of points, it is an area that is separate from other areas, defined by its perimeter.
Popova| Gris | Gris - Organic shape: is one that resembles the flowing contours of an organism.
- Geometric shape: such as circles, triangles or squares often have precise, uniform measurements.
The Principles: basic assumptions that guide the design practice.
- Frame: This boundary (rectangle, square, circle) is represented by the edges of the paper or the margins drawn within.
- Figure (positive space): The shape of a form that serves as a subject in a composition.
Craig Stephens | Matisse - Ground (negative space): The space surrounding a positive shape or form; sometimes referred to as ground, empty space, field, or void.
Matisse | Rubin’s vase - Figure/Ground: The relationship between positive and negative space.
MC Escher | GDBasics - Obvious (stable) Figure/Ground: A figure/ground relationship that exists when a form stands clearly apart from its background.
- Reversal Figure/Ground: A figure/ground relationship that occurs when positive and negative elements are equal and alternate.
- Ambiguous Figure/Ground: A figure/ground relationship that challenges the viewer to find a point of focus. The figure and ground seem unclear.
- Unity: Refers to the cohesive quality that makes a composition feel complete and finished. Unity gives it the feeling that all the elements relate to each other in a compatible way to form a unified whole.
- Economy: Using only the elements necessary to communicate an idea, emotion, or formal concept. Less is more.
STUDENT EXAMPLES: Can you determine which image demonstrates Obvious and Ambiguous Figure/Ground? And why? Are they all successful or could some be improved? How?
Example 1 | Example 2
Lab1 : Project 1
- Introduction
- Demonstration
Lab2 : OpenLab Introduction
- Create an account and/or sign in.
NOTE: You need be able to access your City Tech email before signing up for OpenLab. Check this page for instructions for City Tech email access or contact HelpDesk (718-260-5610). - Join our First Year Learning Community Course: Ways of Seeing
- Post the writing and any thumbnail sketches completed in class. Follow the Design Process Guidelines.
** If you missed this class, please make an appointment to visit the Professor during office hours (Monday 2-4pm).
Homework
- Complete Design Process Blog posts for Project #1: Phase 1: Discover
- Refine 4 of your sketches (2 stable, 2 ambiguous).
- Review Project #1: Define > Inked Sketches and come prepared to ink in class.
- Materials Needed for NEXT CLASS (check Supply List):
- NEW ITEM: Faber-Castell Pitt Big Brush Pen
- Sketchbook
- pad of Bristol board (9×12″ Bristol 2-ply smooth plate finish)
- inking pens (.02, .05, and brush – Pigma Micron or similar)
- ruler/t-square/triangle
- 2H-4H pencils
- drafting or removable tape
- roll of tracing paper (18+” wide)
- portfolio
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